CP8 $399, CP12 $499. The laws of physics are against you! Specifically the QSC K12 and the Mackie HD1221. But at QSC, we have always recommended parallel wiring for all surround speakers when multiple speakers are combined on an amp channel. When any of the big-name manufacturers tag a new product as 'entry-level' my first questions are always, "Does it perform like you'd expect from (insert manufacturer name) at this price?" They are not 'cut down' K Series speakers, but a completely new and different product with their own technology. There are, at present, only two models in the CP series: the CP8 and CP12. Manuals and User Guides for QSC K series. All I can say is that the system performed admirably in a hall of about 180 people, and we had no trouble at all in maintaining vocal clarity no matter what the overall level. There are three inputs available, labelled as A, B and C. Inputs A and B are provided with combi XLR/TRS connectors and input C is a 3.5mm TRS jack socket intended for connection of stereo sources such as media players (these will be summed to mono before being routed to the power amp). The HPR series is no longer in production. AD-C.SUB - 6.5” ceiling subwoofer companion for any AD Series satellite enclosure AD-P.SAT - 2.75” small format, pendant satellite AD-P.SUB - 6.5” pendant subwoofer companion for any AD Series … All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. PreSonus StudioLive 32SC Series III Mixing Console. Amplifier Navigator; CXD Speaker Profiles Library; Amplifier Accessories. However, there was always a gap in their product lineup—powered speakers that could get musicians, presenters, DJs, and others started in the world of live performance at a reasonable price. For anyone running a simple dance setup where you have a music source and a mic plugged directly into the CP speakers, using the two inputs gives suitable EQ for both without the need for an external mixer. The extra mic gain is applied by a single press of the Boost button, which toggles between mic and line settings and has an associated LED to indicate the current status. I'm looking for a system that will give them the most flexible sound choices for various venues. Used on their own, the CP12 units made a very impressive vocal/piano/brass PA, and I used the CP8 as a floor monitor for the main vocalist. We have 2 QSC K series manuals available for free PDF download: User Manual, Specification . Previously, QSC quoted the ‘continuous’ power rating of the K Series to be 1000W, with a peak of 2000W. I did take a quick look inside, by removing the pole sockets on the bottom of each speaker, and the integral cabinet bracing is evident, along with some neatly fitted acoustic wadding, substantial driver magnets and some very neat cabling. I also used the CP12s as floor monitors on a larger outdoor stage, and they delivered the goods very well indeed. ISA Series; CMXa Series; Commercial Amplifiers (Dataport) CX Series 2-Ch; CX Series 4-Ch; CX Series 8-Ch; PL3 Series; DSP Amplifiers (USB) CXD Series; GXD Series; DSP Amplifiers (Ethernet) CXD-Q Series; Amplifier Software. The CP Series benefit from excellent quality build, are ergonomically very good and practical as portable powered speakers, and both models have ample power and make truly excellent monitors. We put them to the test! The E Series is a range of passive loudspeakers offering robust construction, trusted reliability and overall sonic performance beyond expectations. QSC gear isn't known for being inexpensive or indeed entry-level, and so the CP speakers have quite a lot to live up to if they are to assume their intended place as part of a popular and well-regarded live‑sound brand. In s/w the QSC rep at the A.C. DJ Expo, he told me that the major advantage of the KW over the HPR was a much lighter birchwood as well as more current (and better) technology. DMT™ (Directivity-Matched Transition) ensures smooth coverage across the entire listening area. It's not that easy to compare these to other brands, as their performance and price overlaps larger and smaller format products, so you'd have to include 8-, 10- and 12‑inch models to look at similar performance. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Double the power. by Mike Sessler, ChurchTechArts.org Our setup for speaker testing. You may login with either your assigned username or your e-mail address. Greater low-frequency extension. JavaScript is disabled. All rights reserved. The KW series has replaced it. I would like to know you guy's opinions on the Yorkville Unity series vs. the QSC K series. These are not by any means 'cheap' speakers, and although they are certainly more affordable than the K Series, they are by no means significantly inferior for general live use provided the venue size is appropriate. The CP Series speakers incorporate various EQ contour presets to cover different live applications, and a simple rotary selector switch changes to the desired curve. SPA Series; Commercial Amplifiers. That said, K and K.2 models a r e capable of p r oducing g r eater acoustic output than comparable CP series models. Re: Reading mic cable specs? The QSC K-series of powered speakers has become an industry-standard for many a bands, clubs and churches. and introduced the new QSC E Series of Passive Loudspeakers during NAMM 2016. I know of at least two local DJs who would make good use of this function! And continuing in the K Series tradition, every model is fitted with the identical high-output 1.75-inch HF device (full-range models) and woofers of the same high quality design, regardless of speaker size. However, other powered speakers in this price range (not an exhaustive list) include the E‑V ELX200 series, HK Audio Premium Pro range, the FBT EVO 2 Maxx, Yamaha DXR/DBR speakers and the RCF Art 700 series. I would be quite shocked if it compares to the HPR sub in reality...I hope so! Again, QSC has outdone themselves, this time by introducing a line source version of the K Series, aptly called the KLA Series. Having spent some time with the CP Series speakers I'd say that QSC have met their objectives very well. http://www.qscaudio.com/products/speakers/kw_series/. It's worth noting that the current draw of these speakers is under 1A (only 0.31A running on 240V mains at one-eighth power) so you can use quite a few of them on a single domestic circuit. Both models are genuinely compact for their driver size and are squarer in appearance than the taller K Series; the CP12 measures a bit over 13 inches wide and 20 inches high, and the diminutive CP8 stands a shade over 16 inches. In order to unleash the maximum available output, I hooked up the CP12s with a pair of subwoofers and used the 'Default with sub' contour. I am going to look into the kw series and see how they compare in sound. QSC maintains very high standa r ds for audio performance for all loudspeakers. The Dance contour extends the LF output somewhat and would be perfectly adequate in a smaller space; however, everything about this speaker was telling me to try it as a live monitor, so that's what I did a few days later. Our singer also loved the CP8 as a monitor and said it was able to cut through and remain articulate and clear without sounding too loud or harsh on stage. QSC have a reputation for producing quiet active speakers, and there was very little (as in ear-to-the-grille virtually inaudible) background noise or hiss from the CP units when idling; power-up and down was an almost silent process with auto-mute on the audio signal, and I like the way the input level controls go all the way down to nothing. The preset contours are Default, Dance, Floor Monitor and Speech, and the default and dance positions also have a 'with sub' option, making a total of six. Interestingly, the dividing wall between the speaker cab volume and the amp module is not simply part of the plastic enclosure but a neat punched‑metal panel, which I assume is to provide additional cooling — these units are convention-cooled and don't need a fan. Used in this way, the powerful top end of the CP boxes really comes into its own, and I was disappointed not to have had an opportunity to use this setup live. Starting Out. There's no menus or anything like that: the functions are printed on the panel and you just turn the knob to where you want to be. First Look: Pro Tools | Carbon. The first words to enter my head were 'unexpectedly' and 'loud', as these small boxes really do deliver a lot more output than you might expect from either their size or their published 124/126 dB SPL figures. Win! To start, each model is equipped with a 2000-watt power module carefully matched to high-performance woofers and compression drivers. QSC and Sennheiser: “Just Follow Me” Webinar This exciting, joint webinar between QSC and Sennheiser will show you how to use the Sennheiser TeamConnect Ceiling 2 microphone and Q-SYS Control to recall camera position presets based on the location of the speaker in the room. In s/w the QSC rep at the A.C. DJ Expo, he told me that the major advantage of the KW over the HPR was a much lighter birchwood as well as more current (and better) technology. You can find slightly lighter speakers on the market, but these CP models have a substantial feel about them and are very stable when used as floor monitors due to good weight distribution, good cab angles and excellent rubber feet that give a good grip on shiny floors. The product line established a new standard in the industry with a high output 1,000 watt Class D power module. The CP12 delivers a big performance for the money, and the CP8 is a very powerful compact unit that could see excellent use as a monitor, instrument reinforcement or small PA. CP8 £395, CP12 £510. Both have moulded polypropylene cabinets, and both have three inputs on the rear panel and use the same power-amp configuration. I've gone through a lot of powered subs in my days and there are always trade offs. Page 14: Subwoofer Polarity Subwoofer Polarity Polarity (sometimes improperly referred to as phase) refers to the voltage of an input signal and whether it is a positive or negative voltage at any given time. The CP12 had a much bigger, fuller bottom end and reproduced thumping, punchy lows and mid‑range. The K.2 Series is packed with more of everything. Web site designed & maintained by PB Associates & SOS. What qsc e series vs k series might call an entry-level product the ‘ continuous ’ power of... 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